After years of carrying around a van-load of

guitars, amps, 18'' rack effects units and

stomp boxes, I'm now using the Roland

VG88 'modelling' system.

Not only does the VG88 model various

amplifier and speaker combinations but,

because it takes its input signal from the

GK 2A split pick-up, it can model every stage

of the sound-production chain. From

pick-up to amp/speaker combination to

digital effects, everything is modelled. It's

not a true guitar synth, but it does have a few synth type sounds. The amps range from a clean Roland

type to a Fender Twin, Marshall stack or a 5150 style and quite a few others in between. The guitars range from a few different Stratocasters, Telecasters, Les Pauls, Rickenbackers etc., so I can go from, say, a Beatles-esqe Rick type sound to a balls-to-the-wall Eddie VH at the flick of a foot switch. What more could you want??? There are also some very nice 6 and 12 string acoustic sounds as well as

an Open Tune facility which uses a pitch-shifter to allow you to use any tuning you like (DADGAD or

whatever) without having to physically re-tune the guitar. Bejeezus!!

The on-board effects are pretty good as well. They include reverb,

chorus, DDL, pitch-shifter, EQ, compressor, intelligent harmonizer

etc. and can be used simultaneously. There are many more

functions - I don't have the room (or the time!) to go through them all.

It's also a very robust and user-friendly unit, ideal for live or studio

work. In short - no home should be without one!

 

  This is the Roland GK 2A pick-up

  which you will need to access all

  of the available sounds. It does

  nothing for the aesthetics of the

  guitar, but it's not too intrusive or

  unweildy so sod the aesthetics!!

 

 

 

 

  Because the amp sounds I use are already in the VG88, all

  I need for live (or studio) work is a completely clean work-horse.

  What I use is a Behringer stereo power-amp : 2 x 700 Watts into

  2 Ohms or 1400 Watts into 4 Ohms bridged mono operation through

  a couple of JBL Eon speakers. That's gotta be loud enough!

 

 

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